Kishi Bashi- 151a: 10th Anniversary Edition [2CD]
They say that you spend your entire life writing your first album, piecing every formative moment, scribbled turn of phrase, and thematic epiphany into a fantastical collage. Multi-instrumentalist K. Ishibashi (aka Kishi Bashi) disproves that old adage. The title of Kishi Bashiâs 2011 debut album, 151a, is a riff on the Japanese phrase âichi-go ichi-e,â roughly translating to âone time, one place.â Thatâs exactly what this debut is: A singular time, an inimitable place, a launchpad for bigger and better things to come.
âItâs a play on words that translates as a performance aesthetic of having a unique performance in time, with imperfections, and enjoying it while you can,â Ishibashi told NPR at the time of the albumâs release. âThe saying reminds me to embrace my mistakes and move forward.â
From the deconstructed Beach Boys-esque doo-wop of âWonder Womanâ to the menacing marriage of Eastern Hues and Western operatics of âBeat the Bright out of Me,â 151a is a mediation between opposing drives, offering possible reconciliation but never promising it. The albumâs emotional wellspring, âI Am The Antichrist To Youâ was reimagined in 2021 when it was featured on the animated sci-fi sitcom Rick and Morty, introducing Kishi Bashi to a new generation of awestruck fans.Â
Kishi Bashi uses 151a as a vehicle to explore his cultural background. Using Japanese refrains as a compositional and textural device (the polyrhythmic grandeur of âBright Whitesâ; the gleeful surrealism of âIt All Began With a Burstâ), Kishi Bashi celebrates his heritage with earnestness. Japanese phrases and couplets are sung as the response to Kishi Bashiâs resplendent calls, offering listeners a conversation that dovetails with the albumâs themes of love, sentimentality, and self-discovery.
Today, the âone timeâ and âone placeâ that 151a inhabited seems further than ever, almost broaching celestial realms of time and space. But, rest assured, with each listen, the world that Kishi Bashi built springs back to life. The world of 151a never leftâit was just waiting to be rediscovered.
Tracklist:
- Intro / Pathos, Pathos
- Manchester
- Bright Whites
- It All Began with a Burst
- Wonder Woman, Wonder Me
- Chester's Burst Over the Hamptons
- Atticus, in the Desert
- I Am the Antichrist to You
- Beat the Bright Out of Me
- Intro / Pathos, Pathos (Demo-Arigato Version)
- Manchester (Demo-Arigato Version)
- Bright Whites (Demo-Arigato Version)
- It All Began with a Burst (Demo-Arigato Version)
- Wonder Woman, Wonder Me (Demo-Arigato Version)
- Unicorns Die When You Leave (Demo-Arigato Version)
- Chester's Burst Over the Hamptons (Demo-Arigato Version)
- Atticus, in the Desert (Demo-Arigato Version)
- I Am the Antichrist to You (Demo-Arigato Version)
- Beat the Bright Out of Me (Demo-Arigato Version)
- Winter from Shiki (Demo-Arigato Version)
Original: $15.99
-70%$15.99
$4.80
Description
They say that you spend your entire life writing your first album, piecing every formative moment, scribbled turn of phrase, and thematic epiphany into a fantastical collage. Multi-instrumentalist K. Ishibashi (aka Kishi Bashi) disproves that old adage. The title of Kishi Bashiâs 2011 debut album, 151a, is a riff on the Japanese phrase âichi-go ichi-e,â roughly translating to âone time, one place.â Thatâs exactly what this debut is: A singular time, an inimitable place, a launchpad for bigger and better things to come.
âItâs a play on words that translates as a performance aesthetic of having a unique performance in time, with imperfections, and enjoying it while you can,â Ishibashi told NPR at the time of the albumâs release. âThe saying reminds me to embrace my mistakes and move forward.â
From the deconstructed Beach Boys-esque doo-wop of âWonder Womanâ to the menacing marriage of Eastern Hues and Western operatics of âBeat the Bright out of Me,â 151a is a mediation between opposing drives, offering possible reconciliation but never promising it. The albumâs emotional wellspring, âI Am The Antichrist To Youâ was reimagined in 2021 when it was featured on the animated sci-fi sitcom Rick and Morty, introducing Kishi Bashi to a new generation of awestruck fans.Â
Kishi Bashi uses 151a as a vehicle to explore his cultural background. Using Japanese refrains as a compositional and textural device (the polyrhythmic grandeur of âBright Whitesâ; the gleeful surrealism of âIt All Began With a Burstâ), Kishi Bashi celebrates his heritage with earnestness. Japanese phrases and couplets are sung as the response to Kishi Bashiâs resplendent calls, offering listeners a conversation that dovetails with the albumâs themes of love, sentimentality, and self-discovery.
Today, the âone timeâ and âone placeâ that 151a inhabited seems further than ever, almost broaching celestial realms of time and space. But, rest assured, with each listen, the world that Kishi Bashi built springs back to life. The world of 151a never leftâit was just waiting to be rediscovered.
Tracklist:
- Intro / Pathos, Pathos
- Manchester
- Bright Whites
- It All Began with a Burst
- Wonder Woman, Wonder Me
- Chester's Burst Over the Hamptons
- Atticus, in the Desert
- I Am the Antichrist to You
- Beat the Bright Out of Me
- Intro / Pathos, Pathos (Demo-Arigato Version)
- Manchester (Demo-Arigato Version)
- Bright Whites (Demo-Arigato Version)
- It All Began with a Burst (Demo-Arigato Version)
- Wonder Woman, Wonder Me (Demo-Arigato Version)
- Unicorns Die When You Leave (Demo-Arigato Version)
- Chester's Burst Over the Hamptons (Demo-Arigato Version)
- Atticus, in the Desert (Demo-Arigato Version)
- I Am the Antichrist to You (Demo-Arigato Version)
- Beat the Bright Out of Me (Demo-Arigato Version)
- Winter from Shiki (Demo-Arigato Version)











